Six nurses from one infected department and one infected group greeted the patients, starting from Li Yang, Zhang Huan, Yu Qiuping, Wu Zhimin, Zhang Zhen and Xiao Jie.

　　A light rain brings new flowers, and a thunder begins to wake up. In the season of fright, the spring is bright and the cherry blossoms are blooming. This is the best time for Wuhan people to enjoy flowers in the spring outing, but COVID-19 patients in the "Red Zone" ward can’t feel the breath of spring.

　　"If the patient can’t get out of the ward, we will bring spring into the ward." Six nurses, Wu Zhimin, Yu Qiuping, Zhang Zhen, Zhang Huan, Xiao Jie and Li Yang, from the First Affiliated Hospital of Army Medical University, were infected with tongji hospital in Wuhan Taikang. On weekdays, they take good care of patients like relatives, know the patient’s situation like the palm of their hand, and respond to the patient’s requirements.

　　This time, they read the longing for spring and health from the eyes and conversations of many patients, and wondered together how to make the impenetrable ward spring and make the sick patients’ hearts full of sunshine.

　　What should we do? Six people made a mistake, and the patients couldn’t enjoy the spring scenery. They also missed seeing it. Every day, hospitals and dormitories have two points and one line, high-intensity nursing work, and shifts are reversed day and night … … Even so, as long as they appear in front of patients, they all become energetic smiling angels.

　　The ingenious angels quickly thought of a good way. Zhang Zhen, a nurse in plastic surgery, volunteered to be a painter and painted everyone’s favorite flowers on protective clothing. Team leader Wu Zhimin and nurse Zhang Huan also made "flowers" by hand using cotton swabs and shoe covers.

　　"You brought spring!" "You are as beautiful as flowers!" As soon as the nursing team entered the ward, it immediately attracted the attention of patients and won everyone’s praise.

　　An aunt in bed 47 has been moping for several days. At this moment, she is surrounded by six nurses together with several patients, guessing what flowers are on their protective clothing one by one.

　　"This is cherry blossom, the most famous flower in Wuhan." The cherry blossoms on Zhang Zhen’s protective clothing were recognized at once. She said happily, "I wish everyone a speedy recovery and go to Wuhan University to enjoy the cherry blossoms."

　　"This should be a lily. Do you like lilies?" In the face of the patient’s question, Yu Qiuping said with a smile: "Pure lilies have the meaning of unity and friendship. I believe that as long as we unite, we will definitely overcome the virus and tide over the difficulties."

　　"Aunt, I have the best guess." Zhang Huan, who is always so happy as the name, took the patient Aunt Wang and said with a smile, "This is a sunflower. Sunflowers are born in the sun, and the virus is destroyed in the sun. I am here to help you eliminate the virus."

　　Today, Zhang Huan looks happier than usual. Her husband, nurse Chen Lei of Huoshenshan Hospital, won the third-class merit. Husband and wife have been fighting the epidemic in Wuhan for 20 days, but they have only met once for 30 minutes. But this did not affect Zhang Huan’s working status at all. The husband and wife always encouraged each other in WeChat, "Fight side by side ‘ Epidemic ’ It is a battle slogan, and paying attention to safety is the most beautiful love story. "

　　Li Yang, whose protective clothing was painted with roses, received the happiest task and sent three patients out of the hospital. "Roses not only symbolize love, but also have the meaning of bravery. You have bravely overcome your illness. No matter what difficulties you encounter in your future life, you should still face them bravely … …” At parting, Li Yang said to an elderly patient. "Although I have never seen your face, I will always remember you as beautiful as a rose." The patient said emotionally.

　　Wu Zhimin specially prepared a "flower" for the patient Mr. Zhou and his wife. Mr. Zhou was immersed in grief because his father and brother died of illness. In order to make him happy, Wu Zhimin thought of many ways. A few days ago, I learned that Mr. Zhou’s wife was also being treated in the hospital. Wu Zhimin applied to transfer the husband and wife to the same ward.

　　"Spring has come, and your illness has entered a recovery period. I believe you will be discharged soon." Wu Zhimin said while inserting "flowers" into the bedside. She found that Mr. Zhou’s frown had been stretched a lot … …

　　After completing the nursing task and walking out of the "red zone", six nurses took off their protective clothes and were reluctant to throw them away. Xiao Jie, who is a geriatric nurse, took Zhang Zhen, a "soul painter", and said, "There are many elderly patients in our department, and you will help me draw magnolia next time. The old people will have a soothing effect."

　　"Team leader, what’s the meaning of your lotus?" When everyone asked Wu Zhimin, Wu Zhimin said, "Lotus leaves the mud but is not stained. We should also ensure that ‘ Zero infection ’ , a peaceful triumph. "

　　Directed by Li Yu, supervised by Fang Li, and starring Mary and Song Jia, the movie "Sunshine Robber" will be released in May 1st. The film is adapted from Japanese writer Kotaro Isaka’s novel Sunshine Robber, which tells the legendary adventure story of four strange young people who form a "robber" group and bravely break into gangs to seize tigers. Their encounters, personalities, small emotions and great changes have enough details to pave the way. Their life direction and fate sigh have detailed context evolution. Individual endowments, social pulse and vision of the times are closely linked, telling the audience a city story of love and healing.

　　Innovative imagination is the most prominent feature of film art. As director Li Yu said, "Fun and imagination are very important for movies, so I want to shoot a different one ‘ Fairy tale realism ’ 。” Movies should explore new themes, narrative structures, languages, styles, techniques and technologies to break the rigidity of the types and modes of commercial films. Among them, content innovation is the most fundamental innovation. An excellent film must first have substantial content and rich connotation, that is, profound literariness and humanism. For Li Yuhe Fang Li, the golden partner, The Robber in the Sunshine is a bold breakthrough in a new theme, which is more reflected in the projection and focus on the current society.

　　In the film, Mary plays the role of Sunshine, a person who is uninhibited and careless on the surface, but has a deep shadow and insecurity in his heart. Mary said in an interview that she had a lot of resonance when she played the role of Sunshine. In the film, Sunshine used the so-called strong appearance to hide her inner fear, which was very similar to her experience of bringing happiness to others at work and sometimes being unable to solve her own pain. And many of us are not another "Mary"? We can bear all the wind and rain in front of people, and the people behind us may collapse instantly because of a slight touch. How can there be a quiet time, but everyone insists on it all the way, for the ideal, for the family, for love, and for all the worthwhile existence. This is the ukiyo-e painting of contemporary people’s life. No matter what we will face, the eternal thing is to believe in truth, goodness and beauty and love.

　　Not every innovation will work, and some film innovations are difficult to be accepted by the audience because of the lack of vivid and profound characters, or the characterization is a low-level emotional consumption, which lacks the presentation of its spiritual realm. Fang Li’s earlier film "Birds at the Phoenix" jumped out of this creative pattern and successfully portrayed plump and vivid characters such as Jiao Sanye and Xiaotian Ming. Especially in Jiao Sanye, it reflects the persistence, farmers’ kindness, simplicity, shrewdness and limitations, and the dignity of being a teacher influenced by Confucian culture, all of which constitute a leading, distinctive and complex personality. The beauty of Fang Li’s latest producer, The Sunshine Robber, lies in putting the process of love and healing in the world on the screen through fairy-tale expression. In the movie, both Song Jia who lost his "daughter" and Mary, who is fond of heroic deeds, including villains, are people who need to be cured. Mary helped Song Jia find her daughter, and Song Jia also healed Mary’s unknown pain. Whether it was the "mother-daughter relationship" between Song Jia and the tiger Nana or the sisterhood between Mary and Song Jia, what really healed was the sincerity between each other.

　　"I want to hold you so that you won’t get hurt. I want to watch you grow up. I want to stay with you for you until I love you." This is the core meaning of the film throughout. When the little Nana gently touches Xiaoxue’s hand, the warm and harmonious picture of people and animals, we can hear each other’s heartbeat through the screen. The deep entrustment left by Cici, the tiger’s mother, at her last glance is the loss of her daughter Nana and the sustenance of her love. Little Nana has never lost her mother, and Cici’s love is perfectly continued in Xiaoxue. In this way, "Sunshine Robber" cured every audience.

　　At the end of the film, it is sunshine’s farewell to Xiaoxue and Nana. The sunshine sent their "mother and daughter" to the sun-shaped hot air balloon, and this short escape will soon come to an end. The sunshine can’t continue the fairy tale life with them, but the sun, which symbolizes the sunshine, will carry them to the distance. The companionship, care and preference in the whole movie are never like what the sun said: commitment is like debt, and it is all because of love. Freedom is the deepest yearning of sunshine, and loss will be her eternal gain. Dear friends, Xiaoxue, the sunshine says goodbye, so let’s start a romantic, warm, fantastic and humorous healing journey!

　　Formal innovation is usually the iconic feature of movies. The core significance of form for works lies in conveying content and spirit with various aesthetic carriers, so the pursuit of form should be meaningful and unified with content and spiritual connotation. "The Robber of the Sunshine" is by no means a typed story. In the handling of the screenwriter and director, the pattern is bigger and the social empathy is bigger.

　　The monologue in the film says, "Strange animals will be protected, but strange people will be excluded, but you should keep your strangeness, because strange people will always meet." In the film, Xiaoxue and Sunshine, Xiaoxue and Tiger Nana are harmonious but different from each other. The lies carried by Sunshine, Nana’s innocence, Xiaoxue’s dream, Liu’s magical infatuation, and Lin’s authentic reality … The screenwriter boldly uses color narration to tell the relationship between love and healing. Warm, cold and gray colors express three unique aesthetic and value demands. The villains represented by Liu Shenqi (Ceng Zhiwei) mostly use the cool colors of purple and dark red when they appear, which is in sharp contrast with the warm colors of yellow and pink presented by Sunshine and Xiaoxue. When it comes to everyone’s pain in the past, most of them use colors with extremely low saturation, such as gray and white, which are prominent in the distribution of screen colors and have a clear idea, making the whole story line more vivid, which is intended to tell the audience that there is no permanent gloom or permanent brilliance, and some.

　　With its unique artistic aesthetics, the film "Sunshine Robber" makes the film and television works full of vitality and more touching aesthetic charm. The narrative technique and creative style adopted in the work are integrated with the fairy tales told in the work, which makes the audience feel strong emotional resonance and get a relaxed and comfortable audio-visual experience. In the unique narrative, the film pays more attention to delicate, euphemistic, affectionate and touching emotional rendering, human nature analysis and revealing the unique character of the characters. The vivid details that can be seen everywhere in the play not only allow the audience to see people, but also make the characters affectionate. I can’t help but feel that the original movie can still be shot like this? In the film, whether it is the "mother-daughter relationship" between Xiaoxue and Tiger Nana, or the sisterhood between Sunshine and Xiaoxue in thelma and louise, it is creating a positive and loving atmosphere. Such a scene in the film makes people feel that Liu’s magical pink powder will make people forget the past, and Nana, who has no intention of inhaling it, is no exception. Just when the sun was alone in the transport vehicle facing Nana, who was already "strange", everyone thought that the jump was fatal, but it was Nana’s long-lost coquetry. The plot reversal tells the audience an interesting truth, that love is the antidote not to be lost in the dreamland.

　　Ba Jin once said: "Friendship in my past life is like a bright light, which shines through my soul and makes my existence a little bit glorious." In the film, Xiaoxue and the sunshine become the bright shadows in each other’s lives, one is the dreamy snow in winter, and the other is the hot light in summer. The interweaving between two people makes each other’s four seasons complete. This setting closely follows the present, stimulates empathy, and makes the public understand that even if life is indifferent and helpless, we must believe that there is always one person who can arouse all hopes and enthusiasm. "Sunshine Robber" tries to present and restore life truly and accurately by using the aesthetic way of film and television. Whether it’s a warm and happy pet-seeking office or a rippling sea, and the blue and breezy sky, and the playful pursuit of tiger Nana or even a leap at a critical juncture, it can be said that it has been carved with great care. In terms of artistic expression, this work’s creative attitude of pursuing quality products is also very worthy of recognition.

　　In the general trend of genre creation and industrial production, it is the best choice to keep personal expression. As Fang Li, the film producer, said, "We especially want to share a film that is full of sunshine, happiness, fantasy and adventure, and romance with all our audiences." Based on this, we saw more of ourselves in "Sunshine Robber", and also let us see the love and healing that everyone is eager for in the real world.

　　Domestic beauty brands are on the rise, gradually occupying the market share of international cosmetics in China, which is expected to achieve a breakthrough from catching up to surpassing.

　　Recently, A-share cosmetics listed companies have successively disclosed the 2023 performance forecast. Under the background of consumption recovery, many companies, including Freda, Marubi, Shuiyang and Kesi, expect net profit to increase year-on-year.

　　The performance of subdivided tracks is beautiful

　　Marubi, a veteran domestic beauty company, released a performance forecast saying that the company expects to achieve a net profit of 300 million yuan to 330 million yuan in 2023, an increase of 72% to 89% year-on-year; The net profit after deduction was 220 million yuan to 250 million yuan, a year-on-year increase of 62% to 84%.

　　The company said that it is actively promoting the transformation of online channels. Among them, the content e-commerce of Marumi brand represented by Tik Tok Aauto Quicker increased by over 100%, and the second brand PL Love Fire increased by over 100%. In addition, the company firmly divides channels and products, implements the strategy of "big mind and single product", optimizes product structure, and reduces costs and improves efficiency.

　　The single product strategy and the promotion of online channels are the reasons why most domestic cosmetics listed companies achieved performance growth last year.

　　According to the data of Youth Intelligence, in 2023, the growth rate of platform cosmetics sales in Tik Tok was 47%, and that in Aauto Quicker was 69.7%. This feature is also reflected in the performance forecasts of many companies.

　　Shuiyang shares are expected to achieve a net profit of 280 million yuan to 320 million yuan in 2023, a year-on-year increase of 124% to 156%; The non-net profit deducted was 260 million yuan to 300 million yuan, up 169% to 210% year-on-year. The company owns its own brands: Effidan, Dashuidi and Royal Mud Workshop, and its agency brand business is also deeply bound with Johnson & Johnson.

　　Shuiyang Co., Ltd. said that during the reporting period, the multi-level brand matrix system of the company’s own brands was further improved, brand assets continued to precipitate, the agency brand business entered a benign track, the overall business and product structure were further optimized, and the proportion of high-margin brands continued to rise.

　　Freda is expected to achieve a net profit of 260 million yuan to 290 million yuan in 2023, an increase of 472% to 538% year-on-year; The non-net profit deducted was 116 million yuan to 146 million yuan, up 98% to 150% year-on-year.

　　After divesting the real estate development business, Freda has continuously empowered its core business development by relying on the strength of scientific research and development and the advantages of multi-brand omni-channel development. The company said that during the reporting period, the cosmetics business continued to build a brand matrix, broaden sales channels and achieve sustained and steady growth.

　　On the raw material side, Kesi, a leading sunscreen company, expects the net profit of returning to the mother in 2023 to be 720 million yuan to 760 million yuan, up 85.50% to 95.80% year-on-year.

　　During the reporting period, with the steady improvement of the market position of KES and the continuous growth of the market demand for sunscreen products, as well as the improvement of the company’s overall capacity utilization rate and the rapid release of new product capacity represented by new sunscreen agents, it helped the company to improve its main business income and gross profit margin. According to reports, in the future, the company will also invest in the construction of "10,000 tons of sunscreen products in Malaysia" to expand market demand in Asia-Pacific, Europe and other regions.

　　The medical and beauty sector also showed signs of recovery. Aimeike expects to achieve a net profit of 1.81 billion yuan to 1.9 billion yuan in 2023, a year-on-year increase of 43% to 50%; The non-net profit was 1.782 billion yuan to 1.872 billion yuan, a year-on-year increase of 49% to 56%.

　　Aimeike said that the company actively pays attention to market changes, provides high-quality services for downstream medical and beauty institutions at the academic and operational ends, better meets the needs of beauty seekers and enhances the depth of cooperation with customers. At the same time, through the distribution model, we will further expand the number of institutions covered by the company’s products and enhance the breadth of cooperation with customers. The company continues to increase investment in research and development expenses and do a good job in the research and development of pipeline products.

　　According to the performance forecast released by Jinbo Bio, the company’s net profit for returning to its mother in 2023 is expected to be 280 million yuan to 300 million yuan, up 156.47% year-on-year to 174.79%. The main reason for the increase in performance is that the company continues to increase R&D investment, actively develops new products and product upgrades, and strives to increase brand promotion and market development.

　　Constructing core competitiveness with high quality

　　Some people in the industry told reporters that scientific research is still the core issue. With the upgrading of consumer demand and the trend of rational consumption, cosmetics brands began to "roll" research and development, "roll" technology, "roll" ingredients and "roll" raw materials.

　　High-quality domestic brands sold well last year, mainly because they gradually gained the trust and recognition of consumers in terms of quality and safety, and their market competitiveness was constantly enhanced. At the same time, consumers’ rational consumption awareness was enhanced, and domestic brands with high cost performance and good use experience became the preferred choice.

　　In addition, the domestic beauty care brand has also broken the traditional operation mode and made bold innovations and attempts in marketing, attracting more young consumers. With the continuous improvement of the product strength and research and development strength of domestic beauty brands, its rising trend is expected to continue.

　　Caixin Securities Research Report pointed out that in the long run, with the gradual recovery of consumption, domestic brands continue to consolidate their brand potential and adjust their marketing strategies in time. Domestic brands with solid R&D functions, strong marketing capabilities and multi-brand matrices are expected to rise further.

　　It is worth noting that the market space for domestic beauty products to expand is still increasing. The report "Insight into the Development and Consumption of Cosmetics Market in China in 2023" shows that the market size of China’s cosmetics industry is about 516.9 billion yuan in 2023, up 6.4% year-on-year, and it is expected to increase to 579.1 billion yuan in 2025.

　　Recently, the General Office of the State Council issued the Opinions on Developing the Silver-haired Economy and Improving the Well-being of the Elderly. This is the first time that a special policy with the theme of silver-haired economy has been introduced at the national level, and it is also the first time to encourage the development of anti-aging products at the national level, which mentions promoting the research and development of cosmetic raw materials, formulation and production process design and development.